The Acolyte: Producers on how the show is “utterly Star Wars in its essence”

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The Acolyte is just over two weeks away and the galaxy is getting ready for an expansive, involving, fresh but fully fleshed out new era of Star Wars and Executive Producer Simon Emanuel and Producer Rayne Roberts explain to SFX the tone of the show and how despite the new era, this couldn’t be more Star Wars.

“The detective element is very high in the mix,” says Roberts. “I would say the story engine of the show is tracking down the assailant. It’s not procedural, but they are on the hunt, looking at clues, talking to people and trying to figure out where things might go next.”

“It’s not a sleuthing show,” expands Emanuel, “but it’s a show with mysteries and reveals. Hopefully that comes back to [creator] Leslye [Headland]’s puzzle box storytelling, and I think it’s going to be really rewarding to the audience to see how things unfold. It’s a different genre take on Star Wars, but it’s still utterly Star Wars in its essence.”

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
- Advertisement -
- Advertisement -

The Acolyte is just over two weeks away and the galaxy is getting ready for an expansive, involving, fresh but fully fleshed out new era of Star Wars and Executive Producer Simon Emanuel and Producer Rayne Roberts explain to SFX the tone of the show and how despite the new era, this couldn’t be more Star Wars.

“The detective element is very high in the mix,” says Roberts. “I would say the story engine of the show is tracking down the assailant. It’s not procedural, but they are on the hunt, looking at clues, talking to people and trying to figure out where things might go next.”

“It’s not a sleuthing show,” expands Emanuel, “but it’s a show with mysteries and reveals. Hopefully that comes back to [creator] Leslye [Headland]’s puzzle box storytelling, and I think it’s going to be really rewarding to the audience to see how things unfold. It’s a different genre take on Star Wars, but it’s still utterly Star Wars in its essence.”

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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