Why the Avatar sequels are good for Star Wars

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While there’s an ever-increasing roster of trips to the GFFA planned on the big and small screen, we’re also on the cusp of the return of another major sci-fi franchise – Avatar.

While there’s little comparison in the scale of the two franchises, it needs to be remembered that Avatar is the highest grossing film in cinema history by a long way, and has beaten Star Wars to the punch by having a major park attraction in a Disney park with the World of Pandora area at Animal Kingdom.

Screenrant take a look at the two franchises and how, with both series under the Disney umbrella with the 20th Century Fox purchase close to completion, the two titans won’t be stepping on each others toes.

Understanding the value of both investments, Disney will want to maximize their respective profits and put them in a position where they can thrive. Typically, the studio is quite savvy about spacing out their various tentpoles so each one has a nice time period to itself. Just this year, Infinity War (April) made $2 billion, Incredibles 2 (June) crossed $1 billion, and Ant-Man and the Wasp (July) made $622 million worldwide. Solo was a flop, but Disney learned a lesson from that situation, and ideally that’ll be a fluke, rather than a harbinger of things to come.

In essence, Avatar becomes one less problem for Lucasfilm to worry about, and so far they’ve enjoyed a peaceful coexistence with Disney’s other properties. Disney will have to pull off quite a balancing act to make it all work, but so far there’s no reason to believe they’ll fail at it. Even though Star Wars is going to go on a (brief) hiatus from theaters, the galaxy far, far away will still be present in other platforms, including live-action television (streaming service Disney+ will be home to two separate series), so fans will still be able to get their fix, following new stories and characters. And as Kathleen Kennedy (who recently extended her contract) plots the course of the future, there’s less pressure on her to crack the perfect formula.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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While there’s an ever-increasing roster of trips to the GFFA planned on the big and small screen, we’re also on the cusp of the return of another major sci-fi franchise – Avatar.

While there’s little comparison in the scale of the two franchises, it needs to be remembered that Avatar is the highest grossing film in cinema history by a long way, and has beaten Star Wars to the punch by having a major park attraction in a Disney park with the World of Pandora area at Animal Kingdom.

Screenrant take a look at the two franchises and how, with both series under the Disney umbrella with the 20th Century Fox purchase close to completion, the two titans won’t be stepping on each others toes.

Understanding the value of both investments, Disney will want to maximize their respective profits and put them in a position where they can thrive. Typically, the studio is quite savvy about spacing out their various tentpoles so each one has a nice time period to itself. Just this year, Infinity War (April) made $2 billion, Incredibles 2 (June) crossed $1 billion, and Ant-Man and the Wasp (July) made $622 million worldwide. Solo was a flop, but Disney learned a lesson from that situation, and ideally that’ll be a fluke, rather than a harbinger of things to come.

In essence, Avatar becomes one less problem for Lucasfilm to worry about, and so far they’ve enjoyed a peaceful coexistence with Disney’s other properties. Disney will have to pull off quite a balancing act to make it all work, but so far there’s no reason to believe they’ll fail at it. Even though Star Wars is going to go on a (brief) hiatus from theaters, the galaxy far, far away will still be present in other platforms, including live-action television (streaming service Disney+ will be home to two separate series), so fans will still be able to get their fix, following new stories and characters. And as Kathleen Kennedy (who recently extended her contract) plots the course of the future, there’s less pressure on her to crack the perfect formula.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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