Music from The Acolyte episodes 1-4 now online

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The music from the first four episodes of The Acolyte are now available on Disney Music VEVO on YouTube and on Apple Music, which means you can bask not only in the glorious music of composer Michael Abels, but really delve into the Acolyte era again and again.

Here’s what Abels had to say about the score.

“The instrumentation of the score is classic orchestral with 21st-century innovations. The multi-cultural percussion is live and virtual with heavy use of Taiko drums. Some of the wind instruments are also virtual, to achieve a sound that is of this world and beyond. Sonic textures and processed effects were incorporated to create terrifying musical moments, giving those sounds an organic quality, rather than electronic. Voices are a crucial element with a limited use of a large choir, but throughout the score, there is a featured group of diverse female voices representing the twins’ home planet and the culture in which they were raised.”

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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The music from the first four episodes of The Acolyte are now available on Disney Music VEVO on YouTube and on Apple Music, which means you can bask not only in the glorious music of composer Michael Abels, but really delve into the Acolyte era again and again.

Here’s what Abels had to say about the score.

“The instrumentation of the score is classic orchestral with 21st-century innovations. The multi-cultural percussion is live and virtual with heavy use of Taiko drums. Some of the wind instruments are also virtual, to achieve a sound that is of this world and beyond. Sonic textures and processed effects were incorporated to create terrifying musical moments, giving those sounds an organic quality, rather than electronic. Voices are a crucial element with a limited use of a large choir, but throughout the score, there is a featured group of diverse female voices representing the twins’ home planet and the culture in which they were raised.”

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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