The Acolyte: Cinematographer Chris Teague talks locations

- Advertisement -
- Advertisement -

The Acolyte cinematographer Chris Teague caught up with Comic Book to discuss the making of the show, touching on a couple of key locations on the show, the endless tracts of outer space and the metropolitan bustle of Coruscant. First he discussed outer space.

“That was honestly one of the more challenging environments I feel like, because what do you want to make it look like? Space. I looked at a lot of references. I looked at movies, I looked at real images from space, and we did a lot of testing in our lighting. And I initially thought I would go with something that was a bit of a harder light and it didn’t quite play the way we wanted it to.”

“We realized, you need a lot of room to create a sense of space because space is infinite and you’re actually in reality working inside this box of a stage, so there’s a lot of trickery that goes into creating the right quality of light to make it feel like it’s coming from infinitely far away and make the audience not think too much about it. So yeah, it took a lot of testing, a lot of staring at the screen and squinting your eyes and being like, ‘Does that feel real? Do we believe that or what?'”

Next, the challenges of Coruscant, a familiar environment to Star Wars fans shown in a different era.

“I found it to be that one was challenging for me because again, I love the originals and I wanted Coruscant to have a little bit of texture to it, and typically when you see it, it’s just sort of perfectly shiny and pristine and clean. And obviously … it should be, it is that kind of place. But we also wanted to make sure it fit into our show. So there was a lot of work and working with the art department just to figure out how to get the right amount of texture and tonality there so that everything felt like it was tactile. You could reach out and touch those sets, that they weren’t just all fabrication or a digital creation or something like that.”

Sale
Star Wars: The High Republic: Beware the Nameless (Star Wars: The High Republic (Middle Grade))
  • Hardcover Book
  • Córdova, Zoraida (Author)
  • English (Publication Language)
  • 336 Pages - 08/27/2024 (Publication Date) - Random House/Star Wars (Publisher)
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in 1981 and been a presence online since his first webpage Fanta War in 1996. He's contributed to Star Wars Insider (since '06) and Starburst Magazine (since '16) as well as ILM.com, SkywalkerSound.com, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, Star Trek magazine and StarTrek.com. He is a four-time Star Wars Celebration Stage host, the only podcaster to have appeared on every Celebration podcast stage since the stage began in 2015, the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
- Advertisement -
- Advertisement -

The Acolyte cinematographer Chris Teague caught up with Comic Book to discuss the making of the show, touching on a couple of key locations on the show, the endless tracts of outer space and the metropolitan bustle of Coruscant. First he discussed outer space.

“That was honestly one of the more challenging environments I feel like, because what do you want to make it look like? Space. I looked at a lot of references. I looked at movies, I looked at real images from space, and we did a lot of testing in our lighting. And I initially thought I would go with something that was a bit of a harder light and it didn’t quite play the way we wanted it to.”

“We realized, you need a lot of room to create a sense of space because space is infinite and you’re actually in reality working inside this box of a stage, so there’s a lot of trickery that goes into creating the right quality of light to make it feel like it’s coming from infinitely far away and make the audience not think too much about it. So yeah, it took a lot of testing, a lot of staring at the screen and squinting your eyes and being like, ‘Does that feel real? Do we believe that or what?'”

Next, the challenges of Coruscant, a familiar environment to Star Wars fans shown in a different era.

“I found it to be that one was challenging for me because again, I love the originals and I wanted Coruscant to have a little bit of texture to it, and typically when you see it, it’s just sort of perfectly shiny and pristine and clean. And obviously … it should be, it is that kind of place. But we also wanted to make sure it fit into our show. So there was a lot of work and working with the art department just to figure out how to get the right amount of texture and tonality there so that everything felt like it was tactile. You could reach out and touch those sets, that they weren’t just all fabrication or a digital creation or something like that.”

Sale
Star Wars: The High Republic: Beware the Nameless (Star Wars: The High Republic (Middle Grade))
  • Hardcover Book
  • Córdova, Zoraida (Author)
  • English (Publication Language)
  • 336 Pages - 08/27/2024 (Publication Date) - Random House/Star Wars (Publisher)
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in 1981 and been a presence online since his first webpage Fanta War in 1996. He's contributed to Star Wars Insider (since '06) and Starburst Magazine (since '16) as well as ILM.com, SkywalkerSound.com, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, Star Trek magazine and StarTrek.com. He is a four-time Star Wars Celebration Stage host, the only podcaster to have appeared on every Celebration podcast stage since the stage began in 2015, the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
- Advertisement -
- Advertisement -
- Advertisement -
Close Popup
Privacy Settings saved!
Privacy Settings

When you visit any web site, it may store or retrieve information on your browser, mostly in the form of cookies. Control your personal Cookie Services here.

These cookies are necessary for the website to function and cannot be switched off in our systems.

Technical Cookies
In order to use this website we use the following technically required cookies
  • wordpress_test_cookie
  • wordpress_logged_in_
  • wordpress_sec

Google Adsense
We use Google AdSense to show online advertisements on our website.
  • _tlc
  • _tli
  • _tlp
  • _tlv
  • DSID
  • id
  • IDE

One Signal
For performance reasons we use OneSignal as a notification service.  This saves a number of cookies in order to apply notifcation services on a per-client basis. These cookies are strictly necessary for OneSignal's notification features.  It is essential to the service that these are not turned off.
  • _OneSignal_session
  • __cfduid
  • _ga
  • _gid

Affiliate Links
Fantha Tracks is reader-supported.  When you buy through links on our site, we may earn an affiliate commission.

Media Net
We use Media Net to show online advertisements on our website.
  • SESS#

Decline all Services
Save
Accept all Services
Mastodon