Skeleton Crew: The sound design of the new Lucasfilm production

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Matthew Wood and David Collins are old hands at evoking golden memories through our ears rather than our eyes via their stellar work at Skywalker Sound, and chatting with StarWars.com they discuss the sounds of At-Attin, designed to be reminiscent of real-world ‘things’ while stopping short of flat-out replicating them.

(L-R) KB (Kyrianna Kratter) and Fern (Ryan Kiera Armstrong) in Lucasfilm’s STAR WARS: SKELETON CREW, exclusively on Disney+. ©2024 Lucasfilm Ltd. & TM. All Rights Reserved.

The sounds of a Star Wars cityscape, the peaceful but mysterious planet of At Attin, posed an early challenge. “It was something that feels very familiar to childhood, but you’re also dealing with a galaxy far, far away, so you have to strike that balance very carefully,” explains Collins.

A good example for this delicate sonic world-building lies within the seemingly simple hover bikes favored by Wim, Neel, Fern, and KB. “You may want to make a really cool sounding speeder, but you really need to make a speeder that sounds like a beat-up kid’s bike, with a basket and tassels,” Collins says. “When I first saw Wim’s bike, I said, ‘You know, that should really have a bell.’ There’s not actually a physical bell built onto the bike, but if you listen very closely, when Wim tosses it [over the rail], you can hear that there’s a bell on that bike.”

Other sound effects for daily life on At Attin that were also found on Earth include the walkie talkies carried around by Wim and Neel. “My kids had gotten cheap-sounding toy walkie talkies for their birthday,” remembers Collins. “When I put them together, they would make all this wonderful static and feedback. I cut those toys into the show’s walkies because I didn’t want them to sound high-tech. I wanted them to sound plasticky and childlike.”

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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Matthew Wood and David Collins are old hands at evoking golden memories through our ears rather than our eyes via their stellar work at Skywalker Sound, and chatting with StarWars.com they discuss the sounds of At-Attin, designed to be reminiscent of real-world ‘things’ while stopping short of flat-out replicating them.

(L-R) KB (Kyrianna Kratter) and Fern (Ryan Kiera Armstrong) in Lucasfilm’s STAR WARS: SKELETON CREW, exclusively on Disney+. ©2024 Lucasfilm Ltd. & TM. All Rights Reserved.

The sounds of a Star Wars cityscape, the peaceful but mysterious planet of At Attin, posed an early challenge. “It was something that feels very familiar to childhood, but you’re also dealing with a galaxy far, far away, so you have to strike that balance very carefully,” explains Collins.

A good example for this delicate sonic world-building lies within the seemingly simple hover bikes favored by Wim, Neel, Fern, and KB. “You may want to make a really cool sounding speeder, but you really need to make a speeder that sounds like a beat-up kid’s bike, with a basket and tassels,” Collins says. “When I first saw Wim’s bike, I said, ‘You know, that should really have a bell.’ There’s not actually a physical bell built onto the bike, but if you listen very closely, when Wim tosses it [over the rail], you can hear that there’s a bell on that bike.”

Other sound effects for daily life on At Attin that were also found on Earth include the walkie talkies carried around by Wim and Neel. “My kids had gotten cheap-sounding toy walkie talkies for their birthday,” remembers Collins. “When I put them together, they would make all this wonderful static and feedback. I cut those toys into the show’s walkies because I didn’t want them to sound high-tech. I wanted them to sound plasticky and childlike.”

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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