How UK Star Wars productions are boosting UK skills

- Advertisement -
- Advertisement -

The Star Wars franchise has always had a home in the UK, be it much of the studios shoots in the original trilogy, The Phantom Menace and reshoots on Attack of the Clones and Revenge of the Sith and all of the Disney era films and that presence has only had a positive effect on the UK film industry where skills and knowledge are among the best in the world and only improving.

The blockbusting franchise has utilised the UK’s facilities, locations and talent for over four decades, and, when The Walt Disney Company acquired Lucasfilm Ltd in 2012, the franchise further rooted itself in UK soil by making Pinewood its permanent home

The British Film Commission (BFC) has played a crucial role in Lucasfilm’s investment in the UK, ever since they worked with the company and UK government in 2013 to secure the Star Wars franchise for the UK, and also assisted with the establishment of ILM’s London office. Since then, says Samantha Perahia, the BFC’s head of UK production, “the BFC has proudly provided support on all episodes of the Saga, from crew and stage space availability to UK wide industry introductions and troubleshooting.”

Alongside its studios and infrastructure, a major part of the UK’s offering to franchises like Star Wars is its extensive talent base, and strengthening and widening that base is now a key issue for the UK industry. Future Film Skills, the BFI action plan supported by industry leaders like Eon head Barbara Broccoli, Lucasfilm boss Kathleen Kennedy and producer and BFC Chairman, Iain Smith, launched in 2017 with a £20m BFI National Lottery investment. The plan aims to bring in the 10,000 new entrants needed in key craft areas to meet growing demand. ScreenSkills, the organisation responsible for investing in training and education for the screen industry at every career stage, was appointed to lead the delivery of this plan, and has funded and partnered on countless skills development initiatives since the launch.

Another key initiative in the UK’s skills ecosystem is the BFI’s Film Academy which offers opportunities to young people from anywhere in the UK and from any background to be part of the future film industry. This scheme provided an ideal opportunity for Lucasfilm, which was looking to expand its talent pool.

And with candidates being chosen from across the breadth of BFI Film Academy network, the programme’s focus on inclusion yielded immediate results; of the 28 trainees placed on Solo: A Star Wars Story, which shot at Pinewood in 2017, 75% were women, 45% came from BAME backgrounds and 68% were recruited from outside of London.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
- Advertisement -
- Advertisement -

The Star Wars franchise has always had a home in the UK, be it much of the studios shoots in the original trilogy, The Phantom Menace and reshoots on Attack of the Clones and Revenge of the Sith and all of the Disney era films and that presence has only had a positive effect on the UK film industry where skills and knowledge are among the best in the world and only improving.

The blockbusting franchise has utilised the UK’s facilities, locations and talent for over four decades, and, when The Walt Disney Company acquired Lucasfilm Ltd in 2012, the franchise further rooted itself in UK soil by making Pinewood its permanent home

The British Film Commission (BFC) has played a crucial role in Lucasfilm’s investment in the UK, ever since they worked with the company and UK government in 2013 to secure the Star Wars franchise for the UK, and also assisted with the establishment of ILM’s London office. Since then, says Samantha Perahia, the BFC’s head of UK production, “the BFC has proudly provided support on all episodes of the Saga, from crew and stage space availability to UK wide industry introductions and troubleshooting.”

Alongside its studios and infrastructure, a major part of the UK’s offering to franchises like Star Wars is its extensive talent base, and strengthening and widening that base is now a key issue for the UK industry. Future Film Skills, the BFI action plan supported by industry leaders like Eon head Barbara Broccoli, Lucasfilm boss Kathleen Kennedy and producer and BFC Chairman, Iain Smith, launched in 2017 with a £20m BFI National Lottery investment. The plan aims to bring in the 10,000 new entrants needed in key craft areas to meet growing demand. ScreenSkills, the organisation responsible for investing in training and education for the screen industry at every career stage, was appointed to lead the delivery of this plan, and has funded and partnered on countless skills development initiatives since the launch.

Another key initiative in the UK’s skills ecosystem is the BFI’s Film Academy which offers opportunities to young people from anywhere in the UK and from any background to be part of the future film industry. This scheme provided an ideal opportunity for Lucasfilm, which was looking to expand its talent pool.

And with candidates being chosen from across the breadth of BFI Film Academy network, the programme’s focus on inclusion yielded immediate results; of the 28 trainees placed on Solo: A Star Wars Story, which shot at Pinewood in 2017, 75% were women, 45% came from BAME backgrounds and 68% were recruited from outside of London.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
- Advertisement -
- Advertisement -
- Advertisement -
Close Popup
Privacy Settings saved!
Privacy Settings

When you visit any web site, it may store or retrieve information on your browser, mostly in the form of cookies. Control your personal Cookie Services here.

These cookies are necessary for the website to function and cannot be switched off in our systems.

Technical Cookies
In order to use this website we use the following technically required cookies
  • wordpress_test_cookie
  • wordpress_logged_in_
  • wordpress_sec

Google Adsense
We use Google AdSense to show online advertisements on our website.
  • _tlc
  • _tli
  • _tlp
  • _tlv
  • DSID
  • id
  • IDE

One Signal
For performance reasons we use OneSignal as a notification service.  This saves a number of cookies in order to apply notifcation services on a per-client basis. These cookies are strictly necessary for OneSignal's notification features.  It is essential to the service that these are not turned off.
  • _OneSignal_session
  • __cfduid
  • _ga
  • _gid

Affiliate Links
Fantha Tracks is reader-supported.  When you buy through links on our site, we may earn an affiliate commission.

Media Net
We use Media Net to show online advertisements on our website.
  • SESS#

Decline all Services
Save
Accept all Services
Mastodon