The Man Who Saves the World: AKA Turkish Star Wars

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The Guardian take a look at The Man Who Saves the World, otherwise known as Turkish Star Wars, an 80’s oddity that brazenly used footage from A New Hope as the backdrop to a very unique adventure.

(T)he real mark of distinction, and the audacious touch that has ensured the film’s notoriety since its release in 1982, is that the makers blithely used shots, music and sound effects from other movies.

With a budget of $300,000, and with many of his original spaceship sets having been destroyed in a freak storm, the director, Çetin Inanç, opted instead to simply steal footage from a print of Star Wars, which he projected behind his actors as they sat in their cockpits wearing motorcycle helmets and swaying this way and that to mimic the motion of intergalactic flight. Behind them the Death Star looms, and the Millennium Falcon whizzes past; at one point, the back-projection footage even cuts from one shot to another while the actor in the foreground remains unchanged.

Star Wars rip-offs are as numerous as Ewoks, but none has been so cheekily, charmingly brazen.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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The Guardian take a look at The Man Who Saves the World, otherwise known as Turkish Star Wars, an 80’s oddity that brazenly used footage from A New Hope as the backdrop to a very unique adventure.

(T)he real mark of distinction, and the audacious touch that has ensured the film’s notoriety since its release in 1982, is that the makers blithely used shots, music and sound effects from other movies.

With a budget of $300,000, and with many of his original spaceship sets having been destroyed in a freak storm, the director, Çetin Inanç, opted instead to simply steal footage from a print of Star Wars, which he projected behind his actors as they sat in their cockpits wearing motorcycle helmets and swaying this way and that to mimic the motion of intergalactic flight. Behind them the Death Star looms, and the Millennium Falcon whizzes past; at one point, the back-projection footage even cuts from one shot to another while the actor in the foreground remains unchanged.

Star Wars rip-offs are as numerous as Ewoks, but none has been so cheekily, charmingly brazen.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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