The Acolyte: Producers on how the show is “utterly Star Wars in its essence”

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The Acolyte is just over two weeks away and the galaxy is getting ready for an expansive, involving, fresh but fully fleshed out new era of Star Wars and Executive Producer Simon Emanuel and Producer Rayne Roberts explain to SFX the tone of the show and how despite the new era, this couldn’t be more Star Wars.

“The detective element is very high in the mix,” says Roberts. “I would say the story engine of the show is tracking down the assailant. It’s not procedural, but they are on the hunt, looking at clues, talking to people and trying to figure out where things might go next.”

“It’s not a sleuthing show,” expands Emanuel, “but it’s a show with mysteries and reveals. Hopefully that comes back to [creator] Leslye [Headland]’s puzzle box storytelling, and I think it’s going to be really rewarding to the audience to see how things unfold. It’s a different genre take on Star Wars, but it’s still utterly Star Wars in its essence.”

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and has been a presence online since webpage Fanta War in 1996. He is the EiC and Daily Content Manager of Fantha Tracks and currently contributes to ILM.com, SkywalkerSound.com, Star Wars – Das Offizielle Magazin, Journal of the Whills and Starburst Magazine, having previously contributed to magazines Star Wars Insider, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, partworks Build Darth Vader, Star Wars Encyclopedia, and Build The Millennium Falcon, and websites Jedi.net, Jedi News, StarWars.com, Lightsabre.co.uk, and Wirezone. He is the only podcaster to have appeared on every Celebration podcast stage since it began in 2015 (hosting it four times), and is the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
- Advertisement -
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The Acolyte is just over two weeks away and the galaxy is getting ready for an expansive, involving, fresh but fully fleshed out new era of Star Wars and Executive Producer Simon Emanuel and Producer Rayne Roberts explain to SFX the tone of the show and how despite the new era, this couldn’t be more Star Wars.

“The detective element is very high in the mix,” says Roberts. “I would say the story engine of the show is tracking down the assailant. It’s not procedural, but they are on the hunt, looking at clues, talking to people and trying to figure out where things might go next.”

“It’s not a sleuthing show,” expands Emanuel, “but it’s a show with mysteries and reveals. Hopefully that comes back to [creator] Leslye [Headland]’s puzzle box storytelling, and I think it’s going to be really rewarding to the audience to see how things unfold. It’s a different genre take on Star Wars, but it’s still utterly Star Wars in its essence.”

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and has been a presence online since webpage Fanta War in 1996. He is the EiC and Daily Content Manager of Fantha Tracks and currently contributes to ILM.com, SkywalkerSound.com, Star Wars – Das Offizielle Magazin, Journal of the Whills and Starburst Magazine, having previously contributed to magazines Star Wars Insider, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, partworks Build Darth Vader, Star Wars Encyclopedia, and Build The Millennium Falcon, and websites Jedi.net, Jedi News, StarWars.com, Lightsabre.co.uk, and Wirezone. He is the only podcaster to have appeared on every Celebration podcast stage since it began in 2015 (hosting it four times), and is the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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