The Acolyte: Stunt Sequences and Martial Arts Action

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The final episode of The Acolyte lands on Disney Plus in the States tomorrow and Wednesday morning in the UK and around the world, and StarWars.com take a closer look at the stunts of the series, a debut season that has been filled with action, new worlds and the establishment of a new era ripe for expansion.

From the start, it was essential that the crew help series stars Amandla Stenberg and Jacinto, among others, define their fighting style to uniquely incorporate the character, performer, and storyline into each high kick and lightsaber clash. “Leslye loves it. She’s a Star Wars geek, of course, and she loves kung fu fighting,” says Ginther.

“The first thing that Leslye said to me when I met her is that she wanted to incorporate a lot of wushu and kung fu and samurai flair into the action of The Acolyte,” Cowan adds. “And as soon as she said those three things, my face lit up because my dream is to direct martial arts.”

“She wanted a mixture of these different styles,” Ginther continues. “We needed to bring out a separate fighting style in Mae and Osha,” — both characters played by Stenberg. “Mae moves like a tiger,” Junchang adds.

“Mae’s fighting style is very direct, very erratic, very ‘I will cut somebody,’” Cowan says. “She doesn’t care about the subtleties. She’s just going to run straight at her opponent and start throwing hands.”

For the first sequence in the series, a bold cold open pitting Mae against Jedi Master Indara (Carrie-Anne Moss) in a raucous fight inside a noodle bar, the stunt crew incorporated an homage to Kill Bill in the choreography then dug into the psychology behind each character’s tactics. “Leslye definitely wanted to try something different with this opening fight in that it’s primarily hand to hand. That’s something that we really don’t get to see the Jedi or Force sensitives or Sith show off,” Cowan says. “Indara and Sol sort of have a similar approach in that they try to de-escalate the situation. They’re not just going to whip out their lightsabers.”

To hear more, check out our roundtable with showrunner Leslye Headland on Making Tracks.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
- Advertisement -
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The final episode of The Acolyte lands on Disney Plus in the States tomorrow and Wednesday morning in the UK and around the world, and StarWars.com take a closer look at the stunts of the series, a debut season that has been filled with action, new worlds and the establishment of a new era ripe for expansion.

From the start, it was essential that the crew help series stars Amandla Stenberg and Jacinto, among others, define their fighting style to uniquely incorporate the character, performer, and storyline into each high kick and lightsaber clash. “Leslye loves it. She’s a Star Wars geek, of course, and she loves kung fu fighting,” says Ginther.

“The first thing that Leslye said to me when I met her is that she wanted to incorporate a lot of wushu and kung fu and samurai flair into the action of The Acolyte,” Cowan adds. “And as soon as she said those three things, my face lit up because my dream is to direct martial arts.”

“She wanted a mixture of these different styles,” Ginther continues. “We needed to bring out a separate fighting style in Mae and Osha,” — both characters played by Stenberg. “Mae moves like a tiger,” Junchang adds.

“Mae’s fighting style is very direct, very erratic, very ‘I will cut somebody,’” Cowan says. “She doesn’t care about the subtleties. She’s just going to run straight at her opponent and start throwing hands.”

For the first sequence in the series, a bold cold open pitting Mae against Jedi Master Indara (Carrie-Anne Moss) in a raucous fight inside a noodle bar, the stunt crew incorporated an homage to Kill Bill in the choreography then dug into the psychology behind each character’s tactics. “Leslye definitely wanted to try something different with this opening fight in that it’s primarily hand to hand. That’s something that we really don’t get to see the Jedi or Force sensitives or Sith show off,” Cowan says. “Indara and Sol sort of have a similar approach in that they try to de-escalate the situation. They’re not just going to whip out their lightsabers.”

To hear more, check out our roundtable with showrunner Leslye Headland on Making Tracks.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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