ILM VFX powered Aquaman fails to get Oscar VFX nod

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It may have surpassed Batman v Superman: Dawn of Justice as the highest grossing DCEU film so far worldwide, but that didn’t stop director James Wan from venting his anger on social media as the movie – now sailing north of $866,020,880 and with a Japanese release ahead of it and only in its third frame in the US surely on its way to a billion and with a chance of becoming the highest grossing DC film of them all with The Dark Knight Rises currently the 24th highest grossing film worldwide of all time on $1,084,939,099 – failed to secure an Oscar nomination for its dazzling ILM VFX.

Ant-Man & The Wasp, Avengers: Infinity War, Black Panther, Jurassic World: Fallen Kingdom, Welcome to Marwen, Ready Player One, Christopher Robin, First Man, Solo: A Star Wars Story, and Mary Poppins Returns did make the VFX bake-off to find a final 5 for the awards ceremony, but Wan was less than impressed that Aquaman missed out.

Click on the embed and scroll down to the reply from visual effects supervisor Kelvin McIlwain, who congratulated Wan director for his work and the film’s success. We’d post it here but, family site (to reiterate, he was NOT happy).

Despite yet another snub for ILM (the latest of many over the past 25 years) fingers crossed that any of Ant-Man & The Wasp, Avengers: Infinity War, Black Panther, Jurassic World: Fallen Kingdom, Ready Player One or (I’ve got a good feeling about this) Solo: A Star Wars Story makes the final five and takes home Oscar on 25th February.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in 1981 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com, SkywalkerSound.com and Star Wars Insider, having previously written for StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host, the only podcaster to have appeared on every Celebration podcast stage since it began in 2015, the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
- Advertisement -
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It may have surpassed Batman v Superman: Dawn of Justice as the highest grossing DCEU film so far worldwide, but that didn’t stop director James Wan from venting his anger on social media as the movie – now sailing north of $866,020,880 and with a Japanese release ahead of it and only in its third frame in the US surely on its way to a billion and with a chance of becoming the highest grossing DC film of them all with The Dark Knight Rises currently the 24th highest grossing film worldwide of all time on $1,084,939,099 – failed to secure an Oscar nomination for its dazzling ILM VFX.

Ant-Man & The Wasp, Avengers: Infinity War, Black Panther, Jurassic World: Fallen Kingdom, Welcome to Marwen, Ready Player One, Christopher Robin, First Man, Solo: A Star Wars Story, and Mary Poppins Returns did make the VFX bake-off to find a final 5 for the awards ceremony, but Wan was less than impressed that Aquaman missed out.

Click on the embed and scroll down to the reply from visual effects supervisor Kelvin McIlwain, who congratulated Wan director for his work and the film’s success. We’d post it here but, family site (to reiterate, he was NOT happy).

Despite yet another snub for ILM (the latest of many over the past 25 years) fingers crossed that any of Ant-Man & The Wasp, Avengers: Infinity War, Black Panther, Jurassic World: Fallen Kingdom, Ready Player One or (I’ve got a good feeling about this) Solo: A Star Wars Story makes the final five and takes home Oscar on 25th February.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in 1981 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com, SkywalkerSound.com and Star Wars Insider, having previously written for StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host, the only podcaster to have appeared on every Celebration podcast stage since it began in 2015, the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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