The Mandalorian: Jon Favreau – “the novelization is where it opened up a lot of freedom and opportunity”

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For those lucky few who’ve seen Chapter 1 of The Mandalorian, it’s evident that this is a story that couldn’t be told in a 2 hour film, but rather on the slow burn of a weekly serialised TV show. Jon Favreau is well aware of that, and clearly excited by the opportunities that serialisation allows.

“It’s fun not to have a preciousness in the way we’re telling these stories, because next week we’re coming back at you with another one. With the streaming service it’s a bigger budget,  it has a lot of the qualities and aesthetics of the films, but the novelization is where it opened up a lot of freedom and opportunity for us to not feel like we’re repeating or copying anything else that people have experienced.”

While The Mandalorian evokes the Jango Fett scenes of Attack of the Clones and the Star Destroyer bridge scene of The Empire Strikes Back, obviously both big screen stories,  the opportunities of serialisation – the slow and the action-packed episodes – will roll out what’s set to be a gem of a show.

SourceVariety
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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For those lucky few who’ve seen Chapter 1 of The Mandalorian, it’s evident that this is a story that couldn’t be told in a 2 hour film, but rather on the slow burn of a weekly serialised TV show. Jon Favreau is well aware of that, and clearly excited by the opportunities that serialisation allows.

“It’s fun not to have a preciousness in the way we’re telling these stories, because next week we’re coming back at you with another one. With the streaming service it’s a bigger budget,  it has a lot of the qualities and aesthetics of the films, but the novelization is where it opened up a lot of freedom and opportunity for us to not feel like we’re repeating or copying anything else that people have experienced.”

While The Mandalorian evokes the Jango Fett scenes of Attack of the Clones and the Star Destroyer bridge scene of The Empire Strikes Back, obviously both big screen stories,  the opportunities of serialisation – the slow and the action-packed episodes – will roll out what’s set to be a gem of a show.

SourceVariety
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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