Solo: A Star Wars Story is undoubtedly a highly fashionable flick, packed with classic Star Wars throwbacks and elements of 70’s fashion quite correctly thrown in for good measure. Clothes on Film take a look at this, delving into the influences that were woven into the movie.
Solo: A Star Wars Story (2018) is far and away the most ‘A New Hope-like’ film in the series yet. In terms of tone, sure, but particularly costume.
What costume designers Glyn Dillon and David Crossman have so expertly achieved with Solo is making a contemporary looking movie set during the late 1960s. Star Wars: A New Hope was released in 1977 which puts Solo’s timeline around a decade before, or likely just over. But hang on, isn’t this a science fiction movie? What does when it’s made have to do with the space opera world being brought to life on screen? Well the seventies in particular was one of the most eclectic and anachronistic costume decades of all time, especially for period, sci-fi and fantasy. There were wide lapels, flared trousers and hostess dresses seen in anything from Edwardian Britain to 23rd century cosmos. Fashion influence bled into costume and while it might not have always ensured the most historically accurate results, they were often downright glorious. A New Hope, flawlessly costumed by John Mollo it should be noted, was not overly affected in this regard…though in truth it was a bit. Thankfully Dillion and Crossman have recognised this facet and kept it alive for Solo. And, yes, there are even some flares on display.
