Disney profits hit by lack of Christmas Star Wars

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Not that it was a particularly bad quarter for business in the Mouse of House – $1.8 billion would keep most businesses afloat – but there’s little doubt the lack of a Star Wars film at Christmas affected business.

Quite apart from casting Solo adrift in what was likely the busiest period for sci-fi and genre films in cinema history (Deadpool 2, Ready Player One, Avengers: Infinity War), without the necessary clout of heavy marketing, but the film that took its slot – Mary Poppins Returns – has so far made a disappointing $329,125,452 million at the worldwide box office, compared to the 2017 Christmas monster The Last Jedi which brought in $1,332,539,889 worldwide. Solo – the film that Disney will surely look back with hindsight and wish had been given a December launch date – brought in $392,924,807.

Not that Solo would have matched The Last Jedi, or even crossed the billion mark, but it would have had an easier ride as Aquaman, Into The Spider-Verse and Bumblebee would have almost certainly likely shifted their premiere dates from the nailed-on money scoop of a Christmas Star Wars film.

Disney‘s earnings fell sharply compared to its first quarter a year ago, but it still beat Wall Street’s expectations.

The company’s theme parks and TV networks led the way with growth in the first quarter while the film unit’s revenue took a 27% hit, falling to $1.8 billion.

Missing from theaters last holiday season was a “Star Wars” movie. Disney has released a film from the franchise every December since 2015.

Instead, the company released “Mary Poppins Returns,” which made more than $325 million globally. “Star Wars: The Last Jedi” made $1.3 billion worldwide the year prior.

In all, net income fell by 37% compared to the same quarter a year ago.

With all that now in the ledgers, 2019 is looking set to be the most lucrative year so far for Disney, with Disney+ and Galaxy’s Edge both launching this year.

The company has a powerhouse lineup of films that includes potential blockbusters such as April’s “Avengers: Endgame” and the next chapter in the “Star Wars” saga, “Star Wars: Episode IX.” “Star Wars: Galaxy’s Edge,” the largest expansion ever at its theme parks, will open later this year.

Disney is also expected to complete its purchase of most of 21st Century Fox’s assets, which will bring over a slew of new intellectual property, including X-Men and “Avatar.”

Trip Miller, a Disney shareholder and managing partner at Gullane Capital Partners, told CNN Business that the most important storyline for Disney in 2019 will be in how it rolls out its new streaming service, Disney+.

“That’s where this year starts and ultimately where it ends for Disney,” Miller said.

SourceCNN
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and has been a presence online since webpage Fanta War in 1996. He is the EiC and Daily Content Manager of Fantha Tracks and currently contributes to ILM.com, SkywalkerSound.com, Star Wars – Das Offizielle Magazin, Journal of the Whills and Starburst Magazine, having previously contributed to magazines Star Wars Insider, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, partworks Build Darth Vader, Star Wars Encyclopedia, and Build The Millennium Falcon, and websites Jedi.net, Jedi News, StarWars.com, Lightsabre.co.uk, and Wirezone. He is the only podcaster to have appeared on every Celebration podcast stage since it began in 2015 (hosting it four times), and is the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
- Advertisement -
- Advertisement -

Not that it was a particularly bad quarter for business in the Mouse of House – $1.8 billion would keep most businesses afloat – but there’s little doubt the lack of a Star Wars film at Christmas affected business.

Quite apart from casting Solo adrift in what was likely the busiest period for sci-fi and genre films in cinema history (Deadpool 2, Ready Player One, Avengers: Infinity War), without the necessary clout of heavy marketing, but the film that took its slot – Mary Poppins Returns – has so far made a disappointing $329,125,452 million at the worldwide box office, compared to the 2017 Christmas monster The Last Jedi which brought in $1,332,539,889 worldwide. Solo – the film that Disney will surely look back with hindsight and wish had been given a December launch date – brought in $392,924,807.

Not that Solo would have matched The Last Jedi, or even crossed the billion mark, but it would have had an easier ride as Aquaman, Into The Spider-Verse and Bumblebee would have almost certainly likely shifted their premiere dates from the nailed-on money scoop of a Christmas Star Wars film.

Disney‘s earnings fell sharply compared to its first quarter a year ago, but it still beat Wall Street’s expectations.

The company’s theme parks and TV networks led the way with growth in the first quarter while the film unit’s revenue took a 27% hit, falling to $1.8 billion.

Missing from theaters last holiday season was a “Star Wars” movie. Disney has released a film from the franchise every December since 2015.

Instead, the company released “Mary Poppins Returns,” which made more than $325 million globally. “Star Wars: The Last Jedi” made $1.3 billion worldwide the year prior.

In all, net income fell by 37% compared to the same quarter a year ago.

With all that now in the ledgers, 2019 is looking set to be the most lucrative year so far for Disney, with Disney+ and Galaxy’s Edge both launching this year.

The company has a powerhouse lineup of films that includes potential blockbusters such as April’s “Avengers: Endgame” and the next chapter in the “Star Wars” saga, “Star Wars: Episode IX.” “Star Wars: Galaxy’s Edge,” the largest expansion ever at its theme parks, will open later this year.

Disney is also expected to complete its purchase of most of 21st Century Fox’s assets, which will bring over a slew of new intellectual property, including X-Men and “Avatar.”

Trip Miller, a Disney shareholder and managing partner at Gullane Capital Partners, told CNN Business that the most important storyline for Disney in 2019 will be in how it rolls out its new streaming service, Disney+.

“That’s where this year starts and ultimately where it ends for Disney,” Miller said.

SourceCNN
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and has been a presence online since webpage Fanta War in 1996. He is the EiC and Daily Content Manager of Fantha Tracks and currently contributes to ILM.com, SkywalkerSound.com, Star Wars – Das Offizielle Magazin, Journal of the Whills and Starburst Magazine, having previously contributed to magazines Star Wars Insider, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, partworks Build Darth Vader, Star Wars Encyclopedia, and Build The Millennium Falcon, and websites Jedi.net, Jedi News, StarWars.com, Lightsabre.co.uk, and Wirezone. He is the only podcaster to have appeared on every Celebration podcast stage since it began in 2015 (hosting it four times), and is the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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