Obi-Wan Kenobi Disney Plus show to be a limited series

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Any thoughts of the Obi-Wan Kenobi Disney Plus show being an extended project covering multiple seasons have been clarified as Kathleen Kennedy discussed the show being a limited series.

Q: There are a record number of women directors nominated for Emmys this year, and three of your eight episodes were directed by women. Is that a priority for you?

A: It’s absolutely a priority. It’s been very exciting to see the talent that’s come in. And we’re now developing the limited Obi-Wan Kenobi series with Deborah Chow, and she’s just been doing a phenomenal job.

Kennedy also touched upon wanting more female directors, a long-standing Lucasfilm initiative, and how TV production is the perfect segue into big screen projects.

I was actually sad because I love Nia DaCosta, who was just announced to do “Captain Marvel” (the sequel). She’s another director I’ve been watching, and I think she’s enormously talented. Certainly, the kind of television that’s being made now is going to give many people an opportunity to direct more and be more involved with shows that have special effects and extended production values. It really gives people an opportunity to move into big technical movies. That’s exciting. I think we can develop a lot of new talent and it’s about time.

Q: You finished the second season of “The Mandalorian” right under the wire before the shutdown, right?

A: Under the wire? It was literally five days and the country went down. We were enormously lucky, and then we didn’t wait (to finish postproduction). Even though we wondered to what extent people could work remotely, our IT department and ILM had everybody up and running within a week, working from home and continuing to work in the cutting room and on visual effects shots. It was pretty staggering how quickly they got everybody up and running. So we haven’t really lost any time.

SourceThe Wrap
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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Any thoughts of the Obi-Wan Kenobi Disney Plus show being an extended project covering multiple seasons have been clarified as Kathleen Kennedy discussed the show being a limited series.

Q: There are a record number of women directors nominated for Emmys this year, and three of your eight episodes were directed by women. Is that a priority for you?

A: It’s absolutely a priority. It’s been very exciting to see the talent that’s come in. And we’re now developing the limited Obi-Wan Kenobi series with Deborah Chow, and she’s just been doing a phenomenal job.

Kennedy also touched upon wanting more female directors, a long-standing Lucasfilm initiative, and how TV production is the perfect segue into big screen projects.

I was actually sad because I love Nia DaCosta, who was just announced to do “Captain Marvel” (the sequel). She’s another director I’ve been watching, and I think she’s enormously talented. Certainly, the kind of television that’s being made now is going to give many people an opportunity to direct more and be more involved with shows that have special effects and extended production values. It really gives people an opportunity to move into big technical movies. That’s exciting. I think we can develop a lot of new talent and it’s about time.

Q: You finished the second season of “The Mandalorian” right under the wire before the shutdown, right?

A: Under the wire? It was literally five days and the country went down. We were enormously lucky, and then we didn’t wait (to finish postproduction). Even though we wondered to what extent people could work remotely, our IT department and ILM had everybody up and running within a week, working from home and continuing to work in the cutting room and on visual effects shots. It was pretty staggering how quickly they got everybody up and running. So we haven’t really lost any time.

SourceThe Wrap
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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