Following on from our article yesterday regarding the Marvel Studio‘s production of Thor: Love and Thunder potentially using StageCraft technology, not only has it been confirmed that Love and Thunder will be using StageCraft in a new facility at Fox Studios in Sydney, but that new volumes will be set up at Pinewood Studios (opening February 2021) and a third in the greater Los Angeles area opening in March 2021.

Industrial Light & Magic today announced the next phase of its global expansion plan for the company’s virtual production and StageCraft LED volume services. This expansion of services is tied to a proactive initiative for increasing diversity in the industry by combining ILM’s growth in this innovative methodology with a global trainee program geared for underrepresented VFX talent.

ILM’s existing StageCraft volume set at Manhattan Beach Studios (MBS) was used for the Emmy nominated series The Mandalorian and will soon be joined by a second permanent StageCraft volume set at the studio, servicing a variety of clients in the greater Los Angeles area. In addition, ILM is building a third permanent StageCraft volume at Pinewood Studios in London, and a fourth large-scale custom volume at Fox Studios Australia to be used for Marvel’s highly anticipated feature Thor: Love and Thunder directed by Taika Waititi. ILM will also continue to provide “pop up” custom volumes for clients as the company recently did for the Netflix production The Midnight Sky, directed by George Clooney.

An end-to-end virtual production solution, ILM StageCraft is a production-hardened technology that provides a continuous pipeline from initial exploration, scouting, and art direction, traditional and technical previsualization, lighting, and of course, real-time production filming itself, with the innovative StageCraft LED volumes. Lucasfilm’s hit Disney+ series, The Mandalorian, and a highly anticipated feature film took advantage of the full complement of ILM StageCraft virtual production services. Other projects such as Avengers: Endgame, Aquaman, Jurassic World: Fallen Kingdom, Battle at Big Rock, Rogue One: A Star Wars Story, Kong: Skull Island, Solo: A Star Wars Story, Ready Player One, and Rango, have utilized aspects of the toolset as well.

In addition to the news of the three new LED stages, they are much improved on the one used for season one of The Mandalorian.

By every measure, the new stages are vast improvements over the original ground-breaking LED volume developed for the first season of The Mandalorian in 2018. Physically, the new stages are larger, utilizing substantially more LED panels than ILM’s original stage and also offering both higher resolution and smooth wall to ceiling transitions – this directly results in better lighting on set as well as many more in-camera finals. ILM’s proprietary solutions for achieving groundbreaking fidelity on the LED walls at scale allows for higher color fidelity, higher scene complexity, and greater control and reliability.

There is also a diversity initiative, Jedi Academy.

Alongside the new stages, ILM is rolling out a global talent development initiative through the company’s long-standing Jedi Academy training program. The program, which is part of the company’s larger Global Diversity & Inclusion efforts, offers paid internships and apprenticeships on productions with seasoned ILM supervisors and producers who serve as mentors. The program is intended to fill roles across the virtual production and VFX pipeline with those from traditionally underrepresented backgrounds; ILM has posted expressions of interests for jobs across the spectrum, from virtual art department teams and production management to engineering and artist roles. The goal with this initiative is to attract diverse junior talent and create a pipeline for them to become future visual effects artists, technicians and producers who will be “ILM trained” and uniquely qualified to work in this new, innovative way of filmmaking.

“There is a widespread lack of diversity in the industry, and we are excited to leverage our global expansion in this game-changing workflow to hire and train new talent, providing viable, exciting, and rewarding jobs across many of our locations,” noted ILM VP, Operations, Jessica Teach, who oversees the company’s Diversity and Inclusion initiatives. “We believe this program can have a multiplier effect, attracting even more diverse talent to the industry and creating a pipeline for visual effects careers. We know that bringing more diversity into the industry is a critical part of strengthening and expanding our storytelling potential.”

The Star Wars Archives. 1977–1983. 40th Ed.
  • Hardcover Book
  • English (Publication Language)
  • 512 Pages - 12/13/2020 (Publication Date) - TASCHEN (Publisher)