ILM and their work on Star Wars: Andor

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ILM are rightly proud of their VFX work on Star Wars: Andor, steering close to the stylistic template they lay down on Rogue One, and as awards season continues they make clear that the show is to be considered in all categories including Best Special Visual Effects and point us towards an article on The Wrap that looks at the process that made Andor such a stunning success.

Showrunner Tony Gilroy’s series is marked by exciting visuals, notably an escape sequence with Cassian and Luthen (Stellan Skarsgård) skirting the Imperial forces, and the penultimate episode’s large-scale battle setting the scene for the events seen in “Rogue One.”

“Tony’s style is very stripped back, the colors are not too punchy, it’s very grounded,” Pritchard said. “We definitely leaned into the look that [‘Rogue One’] had for our space battle, because for that film, they developed a specific look to make the CG models look like the miniatures from the first four films in the ’70s and ’80s, which we all remember very fondly. We were leaning back towards that.”

SourceILMVFX
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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ILM are rightly proud of their VFX work on Star Wars: Andor, steering close to the stylistic template they lay down on Rogue One, and as awards season continues they make clear that the show is to be considered in all categories including Best Special Visual Effects and point us towards an article on The Wrap that looks at the process that made Andor such a stunning success.

Showrunner Tony Gilroy’s series is marked by exciting visuals, notably an escape sequence with Cassian and Luthen (Stellan Skarsgård) skirting the Imperial forces, and the penultimate episode’s large-scale battle setting the scene for the events seen in “Rogue One.”

“Tony’s style is very stripped back, the colors are not too punchy, it’s very grounded,” Pritchard said. “We definitely leaned into the look that [‘Rogue One’] had for our space battle, because for that film, they developed a specific look to make the CG models look like the miniatures from the first four films in the ’70s and ’80s, which we all remember very fondly. We were leaning back towards that.”

SourceILMVFX
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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