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“When You Don’t Have to Look at the Hard Truths”: Young Indy Sound Editor Laird Malamed

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Young Indiana Jones not only took us around the world with Henry Jones Jr as he enjoyed travels with father while he learned about treasures both contemporary and ancient, but the making of the series was an adventure all of its own, and the team at Young Indy Chroniclers delve headfirst into this goldmine of Lucasfilm history as they go deep into the history of the show with Young Indy Sound Editor Laird Malamed, who discusses Demons of Deception (the ninth The Adventures of Young Indiana Jones film, which amalgamates the episodes Verdun, September 1916 and Paris, October 1916) and the part Carrie Fisher played in the history of Indiana Jones.

A deep-dive commentary on Young Indiana Jones Chronicles episode Demons of Deception — featuring exclusive behind-the-scenes stories from sound editor Laird Malamed, who worked on the series firsthand at Lucasfilm.

Demons of Deception is a unique entry in the Young Indiana Jones canon — an amalgamation of two separate first-season episodes, both set during WWI in September and October 1916, just as a young Indy is finding his footing on the front lines. We break down both halves in detail: the Mata Hari storyline directed by Nicolas Roeg and written by Carrie Fisher, and what makes this episode such a pivotal moment in Indy’s moral development as a character.

Laird shares candid stories from the production — including real on-set tension between Sean Patrick Flanery and his co-star that actually bled into their performances, the unique challenges of cutting sound for a heavily dialogue-driven episode, and what it felt like to work on a show where George Lucas genuinely cared about quality at every level. We also reflect on the broader legacy of Young Indiana Jones — a series that attracted A-list directing talent, tackled serious historical subjects, and never quite got the audience it deserved.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
- Fundraiser -

“When You Don’t Have to Look at the Hard Truths”: Young Indy Sound Editor Laird Malamed

-

- Advertisement -

Young Indiana Jones not only took us around the world with Henry Jones Jr as he enjoyed travels with father while he learned about treasures both contemporary and ancient, but the making of the series was an adventure all of its own, and the team at Young Indy Chroniclers delve headfirst into this goldmine of Lucasfilm history as they go deep into the history of the show with Young Indy Sound Editor Laird Malamed, who discusses Demons of Deception (the ninth The Adventures of Young Indiana Jones film, which amalgamates the episodes Verdun, September 1916 and Paris, October 1916) and the part Carrie Fisher played in the history of Indiana Jones.

A deep-dive commentary on Young Indiana Jones Chronicles episode Demons of Deception — featuring exclusive behind-the-scenes stories from sound editor Laird Malamed, who worked on the series firsthand at Lucasfilm.

Demons of Deception is a unique entry in the Young Indiana Jones canon — an amalgamation of two separate first-season episodes, both set during WWI in September and October 1916, just as a young Indy is finding his footing on the front lines. We break down both halves in detail: the Mata Hari storyline directed by Nicolas Roeg and written by Carrie Fisher, and what makes this episode such a pivotal moment in Indy’s moral development as a character.

Laird shares candid stories from the production — including real on-set tension between Sean Patrick Flanery and his co-star that actually bled into their performances, the unique challenges of cutting sound for a heavily dialogue-driven episode, and what it felt like to work on a show where George Lucas genuinely cared about quality at every level. We also reflect on the broader legacy of Young Indiana Jones — a series that attracted A-list directing talent, tackled serious historical subjects, and never quite got the audience it deserved.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and been a presence online since his first webpage Fanta War in 1996. He currently contributes to ILM.com and SkywalkerSound.com, having previously written for Star Wars Insider, StarWars.com, Star Wars Encyclopedia, Build The Millennium Falcon, Starburst Magazine, Geeky Monkey, TV Film Memorabilia and Model and Collectors Mart. He is a four-time Star Wars Celebration Stage host (the only podcaster to have appeared on every Celebration podcast stage since it began in 2015), the Daily Content Manager of Fantha Tracks and the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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