Felicity Jones on filming Rogue One: “We shot that film in a very visceral, naturalistic, gritty way”

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Rogue One continues to elevate in the hearts of Star Wars fans, and as we hit the fifth year since its release, Felicity Jones looks back at the filming of the movie in 2015 in the Maldives and remembers a key scene that took a week to film, just to find the right sunlight.

“We shot it every single evening over a week to get the right light of sunset, to get the perfect pink light, so we knew that scene inside out by the end of the week. It was just amazing to see how it morphed and shifted and changed. We shot that film in a very visceral, naturalistic, gritty way, which I think is why so many people responded to it. I think they loved that it felt so real and had elements of the ’70s Star Wars films that had that similar feeling of naturalism and reality.”

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and has been a presence online since webpage Fanta War in 1996. He is the EiC and Daily Content Manager of Fantha Tracks and currently contributes to ILM.com, SkywalkerSound.com, Star Wars – Das Offizielle Magazin, Journal of the Whills and Starburst Magazine, having previously contributed to magazines Star Wars Insider, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, partworks Build Darth Vader, Star Wars Encyclopedia, and Build The Millennium Falcon, and websites Jedi.net, Jedi News, StarWars.com, Lightsabre.co.uk, and Wirezone. He is the only podcaster to have appeared on every Celebration podcast stage since it began in 2015 (hosting it four times), and is the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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Rogue One continues to elevate in the hearts of Star Wars fans, and as we hit the fifth year since its release, Felicity Jones looks back at the filming of the movie in 2015 in the Maldives and remembers a key scene that took a week to film, just to find the right sunlight.

“We shot it every single evening over a week to get the right light of sunset, to get the perfect pink light, so we knew that scene inside out by the end of the week. It was just amazing to see how it morphed and shifted and changed. We shot that film in a very visceral, naturalistic, gritty way, which I think is why so many people responded to it. I think they loved that it felt so real and had elements of the ’70s Star Wars films that had that similar feeling of naturalism and reality.”

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and has been a presence online since webpage Fanta War in 1996. He is the EiC and Daily Content Manager of Fantha Tracks and currently contributes to ILM.com, SkywalkerSound.com, Star Wars – Das Offizielle Magazin, Journal of the Whills and Starburst Magazine, having previously contributed to magazines Star Wars Insider, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, partworks Build Darth Vader, Star Wars Encyclopedia, and Build The Millennium Falcon, and websites Jedi.net, Jedi News, StarWars.com, Lightsabre.co.uk, and Wirezone. He is the only podcaster to have appeared on every Celebration podcast stage since it began in 2015 (hosting it four times), and is the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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