Lucasfilm History in Objects: 40 years of Indiana Jones and the Temple of Doom

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Writing over at Lucasfilm.com, Pete Vilmur looks back 40 years to 1984 and Indiana Jones and the Temple of Doom and the exhibit set up on display at Lucasfilm headquarters in San Francisco that delved into storyboards, the publishing program and more. Here we look at the Nikonflex which filmed the iconic mine car chase that helped win the Oscar for ILM at the 1985 Academy Awards.

With this year’s 40th anniversary of Indiana Jones and the Temple of Doom, Lucasfilm historians recently created an exhibit of memorabilia from the 1984 film at their San Francisco headquarters, displaying various marketing and production materials, consumer products, promotional tie-ins and other items associated with the film. This special edition of “History in Objects” will focus on a handful of items in the display.

“No, Indy, It’s Left Tunnel!”
For Temple of Doom’s thrilling mine car chase, Industrial Light & Magic model builders created an elaborate series of scaled-down tunnels with tracks for miniature mine cars and stop-motion puppets to be animated one frame at a time. In order to film the chase from the point of view of Indy and the others, ILM needed to devise a way for a camera shooting motion picture film – in this case, in the sideways Vistavision format – to fit through the narrow passages. Their solution was to modify an existing Nikon single-lens reflex camera to shoot the footage one frame at a time while atop a special camera cart built just for the sequence. The Nikonflex, as it came to be called, provided one of the most innovative and memorable sequences in the film.

SourceLucasfilm
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and has been a presence online since webpage Fanta War in 1996. He is the EiC and Daily Content Manager of Fantha Tracks and currently contributes to ILM.com, SkywalkerSound.com, Star Wars – Das Offizielle Magazin, Journal of the Whills and Starburst Magazine, having previously contributed to magazines Star Wars Insider, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, partworks Build Darth Vader, Star Wars Encyclopedia, and Build The Millennium Falcon, and websites Jedi.net, Jedi News, StarWars.com, Lightsabre.co.uk, and Wirezone. He is the only podcaster to have appeared on every Celebration podcast stage since it began in 2015 (hosting it four times), and is the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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Writing over at Lucasfilm.com, Pete Vilmur looks back 40 years to 1984 and Indiana Jones and the Temple of Doom and the exhibit set up on display at Lucasfilm headquarters in San Francisco that delved into storyboards, the publishing program and more. Here we look at the Nikonflex which filmed the iconic mine car chase that helped win the Oscar for ILM at the 1985 Academy Awards.

With this year’s 40th anniversary of Indiana Jones and the Temple of Doom, Lucasfilm historians recently created an exhibit of memorabilia from the 1984 film at their San Francisco headquarters, displaying various marketing and production materials, consumer products, promotional tie-ins and other items associated with the film. This special edition of “History in Objects” will focus on a handful of items in the display.

“No, Indy, It’s Left Tunnel!”
For Temple of Doom’s thrilling mine car chase, Industrial Light & Magic model builders created an elaborate series of scaled-down tunnels with tracks for miniature mine cars and stop-motion puppets to be animated one frame at a time. In order to film the chase from the point of view of Indy and the others, ILM needed to devise a way for a camera shooting motion picture film – in this case, in the sideways Vistavision format – to fit through the narrow passages. Their solution was to modify an existing Nikon single-lens reflex camera to shoot the footage one frame at a time while atop a special camera cart built just for the sequence. The Nikonflex, as it came to be called, provided one of the most innovative and memorable sequences in the film.

SourceLucasfilm
Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and has been a presence online since webpage Fanta War in 1996. He is the EiC and Daily Content Manager of Fantha Tracks and currently contributes to ILM.com, SkywalkerSound.com, Star Wars – Das Offizielle Magazin, Journal of the Whills and Starburst Magazine, having previously contributed to magazines Star Wars Insider, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, partworks Build Darth Vader, Star Wars Encyclopedia, and Build The Millennium Falcon, and websites Jedi.net, Jedi News, StarWars.com, Lightsabre.co.uk, and Wirezone. He is the only podcaster to have appeared on every Celebration podcast stage since it began in 2015 (hosting it four times), and is the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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