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HomeNewsFilm, Music & TVThe Creator: Gareth Edwards and ILM on the VFX of the Oscar...

The Creator: Gareth Edwards and ILM on the VFX of the Oscar nominated film

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befores & afters took the chance to sit down with The Creator director Gareth Edwards and Jay Cooper to discuss the work done by ILM on the film, and how the film took a unique and groundbreaking approach to the visual effects seen onscreen.

In it, we discuss the film’s VFX tests (including which ones made it into the final film), deciding which actors would become robots after shooting, crafting simulants, shooting with the virtual camera, and filming on ILM’s StageCraft LED stage. Plus Edwards and Cooper chat about HDRIs, specific scenes and where the NOMAD scanning look came from.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and has been a presence online since webpage Fanta War in 1996. He is the EiC and Daily Content Manager of Fantha Tracks and currently contributes to ILM.com, SkywalkerSound.com, Star Wars – Das Offizielle Magazin, Journal of the Whills and Starburst Magazine, having previously contributed to magazines Star Wars Insider, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, partworks Build Darth Vader, Star Wars Encyclopedia, and Build The Millennium Falcon, and websites Jedi.net, Jedi News, StarWars.com, Lightsabre.co.uk, and Wirezone. He is the only podcaster to have appeared on every Celebration podcast stage since it began in 2015 (hosting it four times), is part of the team behind Thank The Maker events, and is the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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The Creator: Gareth Edwards and ILM on the VFX of the Oscar nominated film

-

- Advertisement -

befores & afters took the chance to sit down with The Creator director Gareth Edwards and Jay Cooper to discuss the work done by ILM on the film, and how the film took a unique and groundbreaking approach to the visual effects seen onscreen.

In it, we discuss the film’s VFX tests (including which ones made it into the final film), deciding which actors would become robots after shooting, crafting simulants, shooting with the virtual camera, and filming on ILM’s StageCraft LED stage. Plus Edwards and Cooper chat about HDRIs, specific scenes and where the NOMAD scanning look came from.

Mark Newbold
Mark Newbold
Exploring the galaxy since 1978, Mark wrote his first fan fiction in '81 and has been a presence online since webpage Fanta War in 1996. He is the EiC and Daily Content Manager of Fantha Tracks and currently contributes to ILM.com, SkywalkerSound.com, Star Wars – Das Offizielle Magazin, Journal of the Whills and Starburst Magazine, having previously contributed to magazines Star Wars Insider, Geeky Monkey, TV Film Memorabilia, Model and Collectors Mart, partworks Build Darth Vader, Star Wars Encyclopedia, and Build The Millennium Falcon, and websites Jedi.net, Jedi News, StarWars.com, Lightsabre.co.uk, and Wirezone. He is the only podcaster to have appeared on every Celebration podcast stage since it began in 2015 (hosting it four times), is part of the team behind Thank The Maker events, and is the co-host of Making Tracks, Canon Fodder and Start Your Engines on Fantha Tracks Radio.
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